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AUDIO DEMOS
By Mike Marsh, Scott Juskiw, and Marc Pendergast.



  • Uses 2 filters (MOTM-420 and MOTM-440) to process the audio. Simple, basic use of the MOTM-700. A MOTM-101 and MOTM-410 provide background 'swooshing' [800K].
  • Self-running 'chaos' patch of the Zamboni doing it's thing [476K].
  • Another example of alternating filter types (MOTM-410 and a MOTM-440) [420K].
  • Simple example of alternating between TRI and SAW waves [321K].

  • MOTM-700 Dual 2:1 Voltage-Controller Router
    $279 assembled & tested

    The MOTM-700 is another Synthesis Technology exclusive module! It is a bi-directional, dual SPDT switch that is "toggled" when an input control voltage exceeds a trip-point set by a panel knob. Special circuitry handles routing of audio (cross-fading VCAs) or control voltage (fast, low-offset switches).

    The MOTM-700 has 2 identical sections, so we will discuss how one of them operates. The two are totally independent from each other, and by patchcords can be connected in series or parallel with each other, or to additional MOTM-700 modules.

    Think of a SPDT (single-pole, double-throw) mechanical switch. When the switch is 'up', Signal A is connected to the "Common" terminal (let's call it 'X'). So we say, "A is routed to X". If the switch is 'down', then Signal B is connected to X. There are 2 ways of veiwing the connections: 2 inputs are selected to 1 output, OR 1 input is routed to 2 outputs. The switch doesn't care: it's truly bi-directional.

    This is exactly how the MOTM-700 works! What makes it useful in any studio is that you control the selection with a control voltage! The MOTM-700 uses a circuit called a comparator that "compares" the input control voltage with another voltage, set by the panel pot SWITCH. The SWITCH control is adjustable from -5V to +5V.

    Operation is easy to remember:

    • If the CV IN voltage is less than the SWITCH setting, then A and X are connected.
    • If the CV IN voltage is greater than the SWITCH setting, then B and X are connected.

    So, what is it good for? The fun part is choosing the source of the CV input. Here are just a few examples:

    • Use a voltage-out footpedal. Pedal up, A routes to X. Pedal down, B routes to X.
    • Use an LFO waveform. A triangle will cause the A and B signals to "ping-pong" to X. Then the SWITCH setting determines the duty-cycle of the routing!
    • Use the S&H output from a MOTM-101. The SWITCH setting becomes a voltage-controlled probability function! The higher you set the voltage, the greater the chance A routes to X.
    • Use the output from your keyboard controller. Instant voltage-controlled splitpoint control!

    A MODE switch selects if audio or control voltages are being routed. In the AUDIO position, a special IC actually switches by a very fast cross-fading between channels. This eliminates "pops" and "clicks". The IC is rated for CD quality switching: better than 90dB SNR with less than 0.002% THD. Shielded RG-174 cables are used for all audio signals.

    If the MODE is voltage, then a high-speed, low resistance CMOS switch is used (NOT the cheesy '4066' types!) This IC is good enough for switching VCO control voltages without adding drift or offsets! It can also switch at audio rates as well! This can result in some very bizarre timbres. Check out the demo files!

    We think that the MOTM-700, once understood, will find 100's of uses in your studio. Not just as another module in the MOTM family, but as a 'stand-alone' accessory for routing just about any signal in your setup.